Hill makes socially engaged work using public space – both online and offline – supporting himself with a separate career. Opting mainly to present work outside of the traditional art-world context, he engages with what he describes as the “non-gallery-going” population. Some of Hill's most well-known works have been Death Bear, White Power Milk, and Trophy Scarves. Hill has been featured in numerous publications including Vice, Huffington Post, Hyperallergic, Wall Street Journal, The Washington Post, and The New York Times. He currently lives and works in New York City.